Lucile Boiron, Mise en Pièces / Special Edition fashion Braquenier debunks the publication

Braquenier debunks the publication

They are the result of a photographic practice that in today’s digital age has almost become a form of archaeology: when positioning a roll of analogue film in the camera

A more extreme but equally well understood example is the classical ruin

we propose some ideas for reflection formalized by projects tied to the built stories from the past

Lucile Boiron, Mise en Pièces / Special Edition fashion Braquenier debunks the publicationMise en Pices combines self portraits of the artist with still lifes and images taken during cosmetic surgery. We are confronted with fragmentary remainsobjects of a luminous metamorphosis, supercharged by effects of contrast and brilliance. The photographer cuts, grabs, lifts and assembles. The tearing apart resembles a distortion of reality. We are all made of flesh, nerves, guts, bones and cartilages. But where descriptive monstrosity darkens,